Category Archives: Events

David Novak “The Dubbing of a New Era: Audiocassettes, Open Access and the Dissonances of Digital Democracy”

Please join us for a talk by David Novak, Associate Professor of Music at the University of California, Santa Barbara
Thursday, May 26, 2016 12-1:30pm, Social Science and Humanities, Room 1246
Lunch will be served. RSVP here
Novak_2016-05-26-a
David Novak is Associate Professor of Music at the University of California, Santa Barbara, with affiliations in Anthropology, Film and Media Studies, and East Asian Languages and Cultural Studies. His work deals with the globalization of popular music, remediation, protest culture, and social practices of listening. He is the author of the award-winning Japanoise: Music at the Edge of Circulation (2013) and the co-editor of Keywords in Sound (2015), as well as recent essays and sound recordings in Public Culture, Cultural Anthropology, Popular Music, Sensory Studies, and The Wire. He is the founder of the Music and Sound Interest Group in the American Anthropological Association, and co-director of the Center for the Interdisciplinary Study of Music.

Co-Sponsored by:
Science and Technology Studies
Innovating Communication in Scholarship
The Center for Science and Innovation Studies

Authorship and the Promises of Digital Dissemination

authorship_2016-03-09AUTHORSHIP AND THE PROMISES OF DIGITAL DISSEMINATION
March 9, 4:00- 5:45 pm
UC Davis School of Law, King Hall, Rm 2100A

A cross-disciplinary panel discussion on authorship in the digital age, with a focus on the specific goals and needs of academic authors. Authors who write to be read care about how their works are published and what that means for reader access. While traditional options and copyright arrangements still predominate in many fields, there are ever-increasing ways to share works of authorship. What works best to get textual and visual works out there and under what circumstances? Join us for this panel discussion with Authors Alliance, where we will explore the opportunities and challenges authors face in maximizing the reach of their work, both in and outside of academia.

Participants:
Mario Biagioli (Law, STS)
Stephanie Boluk (English)
Jonathan Eisen (Biology)
Alexandra Lippman (STS)
Rick Prelinger (UCSC and director of the Prelinger Archive)
Kim Stanley Robinson (Mars Trilogy)
Pam Samuelson (Authors Alliance)
MacKenzie Smith (Library)
Madhavi Sunder (Law)
Michael Wolfe (Authors Alliance)

Co-Sponsors:
Davis Humanities Institute
Institute for the Social Sciences
Authors Alliance
Center for Science and Innovation Studies
Innovating Communication in Scholarship Project
UC Davis School of Law

Open Sourcing Religion– Workshop, December 3, 2015

OpenSourceReligion-2015-10-30

Open Sourcing Religion

Thursday, December 3, 2015 / 9:00AM to 5:00PM

UC Davis King Hall, Room 2100A

A one day workshop on digital transformations in religious studies scholarship

RSVP if you plan to attend.

AGENDA

9:00am to 9:15am: Introduction: Andrew Ventimiglia (UC Davis)

9:15am to 11:15am: FUTURES

Moderator: TBD

Panelists:

  • Heidi Campbell (Texas A&M)
  • Pauline Hope Cheong (Arizona State University)
  • Eric Schmidt (UC Press)
  • Allison Fish (Indiana University)

11:15am-12:15pm: LUNCHTIME KEYNOTE: Flagg Miller (UC Davis)

12:15pm-1:15pm LUNCH BREAK

1:15pm-2:45pm HISTORIES

Moderator: David Biale (UC Davis)

Panelists:

  • Brian Hochman (Georgetown University)
  • Steven Jones (Loyola University, Chicago)
  • Andrew Ventimiglia (UC Davis)

2:45pm-3:00pm COFFEE BREAK

3:00pm-5:00pm PRACTICES

Moderator: Meaghan O’Keefe (UC Davis)

Panelists:

  • Daniel Schwartz (Texas A&M)
  • Mairaj Syed (UC Davis)
  • Nazmus Saquib (MIT)
  • Behnam Sadhegi (Stanford University)

Talk tomorrow on A2K for Visually Impaired: Ruth Okediji @ King Hall, UC Davis

Talk by Prof Ruth Okediji
Date and time: Tues, 10/21, Noon to 1pm
Location: King Hall, Room 1001
Title: The Road To Marrakesh: Toward a new global synthesis of intellectual property and the public interest?

Abstract: The Marrakesh treaty to facilitate access to Published Works by Visually impaired Persons and Persons with Print Disabilities (ViP treaty) is the first intellectual property agreement establishing minimum, mandatory exceptions to the rights granted to authors and owners of knowledge goods. the ViP treaty aims to eliminate copyright-related barriers to access to copyrighted works for over 285 million blind, visually impaired or otherwise print-disabled people around the world; accordingly, it differs from all other intellectual property agreements as a humanitarian endeavor. But the ViP treaty also suggests an explicit reshaping of the structural role of the state in relation to the public welfare objectives of national intellectual property policies. this lecture will highlight the political economy of the negotiating process, and the various justifications that shaped the final provisions of the ViP treaty. the lecture will also explore future prospects for achieving socially-responsible intellectual property outcomes in the global regulatory framework for knowledge goods.

Join the ICIS Announcements Listserv!

New ICIS-sponsored events are on their way for the upcoming year! Details about these events will be announced through our mailing list which you can join in one of two ways:


1. If you have a UC Davis email account, please go to https://lists.ucdavis.edu/sympa/info/icis to subscribe. OR


2. If you do not have a UC Davis email account, then please send an email to afelfanti@ucdavis.edu, alippman@ucdavis.edu, or aefish@ucdavis.edu and we will add you by hand.


The list will be used only for announces related to ICIS events, and you will be free to unsubscribe at any time.

Alessandro Delfanti, “Open Source Cancer: Hacking and Biodigital Rituals of Sharing,” Tues 10/14

Tues, Oct 14, 2014 from 12:10-1:30pm in SSH 1246 of the UC Davis campus.

Please join us in welcoming the new ICIS postdoctoral fellow, Alessandro Delfanti, at a Food for Thought Event. Alessandro will be presenting on his work, Open Source Cancer: Hacking and Biodigital Rituals of Sharing:

Through the website La Cura (the cure), the Italian designer and hacker Salvatore Iaconesi open sourced his brain tumor and mobilized hundreds of thousands of peers through a digital platform. His condition was turned into a global performance of de-medicalization. In order to do this, he had to hack his medical records and convert them into open formats, to make data easily readable and shareable, as well as to construct an inclusive understanding of the word “cure”. With this case I propose the concept of a “biodigital ritual of sharing”, a protocol or script adapted from hacker cultures’ public practices. While in the context of medical institutions data represented an objectification of the body, their reinscription through the ritual helped symbolized the need for a more socialized experience of cancer. Against techno-determinist utopias of distributed innovation, I highlight how open source and crowdsourcing can be seen as dense biopolitical symbols rather than mere distributed technical solutions. I also suggest that, when facing illness and disability, digital cultures imagine and perform technologies as social and relational rather than bodily prosthesis.

Note this is our Food for Thought format where everyone is asked to read a paper ahead of time. After you RSVP, you will be emailed with the paper to be discussed. Please RSVP here to receive a copy of his paper.

This event is co-sponsored with the Center for Science and Innovation Studies & the Science and Technology Studies Program at UC Davis.

Alexandra Lippman, “Tempos and Temporalities of Ownership: Property, Piracy and Public Domain in Funk Carioca,” Tues 10/7

Tues, Oct 7, 2014 from 12:10-1:30pm in SSH 1246 of the UC Davis campus.

Please join us in welcoming the new ICIS postdoctoral fellow, Alexandra Lippman, at a Food for Thought Event. Alexandra will be presenting on her work, Tempos and Temporalities of Ownership: Property, Piracy and Public Domain in Funk Carioca:

Time has long been a concern of anthropologists. In this article, I argue that music has something to add to anthropological understandings of temporality. After all, the organization of time is one of music’s fundamental characteristics. In order to introduce music into anthropological discussions of time, I discuss ownership within funk carioca, a popular Afro-Brazilian musical genre, which relies on sampling, dubbing, and versioning. I identify four different forms ownership and their distinct temporalities within funk carioca. These situations of ownership are a commons, copyrighted, desired for, and pirated. I call their respective temporalities looping time, limited time, imagined futurity, and in-the-meantime. These temporalities are linked, respectively, to an ongoing present, the past, the future, and a heterotemporality. Each mode of ownership presents musicians with unique ways to make money and/or build their reputation. Songs’ circulation through multiple modes of ownership—often simultaneously—further suggests how these modes are coeval rather than mutually exclusive.

Note this is our Food for Thought format where everyone is asked to read a paper ahead of time. After you RSVP, you will be emailed with the paper to be discussed. Please RSVP here to receive a copy of her paper.

This event is co-sponsored with the Center for Science and Innovation Studies & the Science and Technology Studies Program at UC Davis.